Madonna – aka the Grand Priestess of the music industry –performed at the Superbowl halftime show this year 2012. While most were amazed by a woman in her fifties dancing around with LMFAO, others were annoyed at her lip synching. I was amazed by something else: the flurry of symbolism flashed to billions of worldwide viewers. While most saw Madonna’s performance as an entertaining interlude to the most important football game of the year, those with symbol-literacy will probably agree, Madonna’s halftime show was a big celebration of the Illuminati industry and of its Grand Priestess, Madonna.
A week before the Superbowl, Madonna described on Anderson Cooper the spiritual importance she attributed to her Half-Time show:
It is rather appropriate that this Kaballah-intiate referred to the Superbowl as the “Holy of Holies”. After all, it was the name of the most sacred place in Solomon’s Temple. No one was ever permitted into the Holy of Holies,but the High Priest was, and only on the Day of Atonement, to offer the blood of sacrifice and incense before the mercy seat. Madonna’s analogy was very telling of the kind of mindset behind her performance. Let’s take a look at these parts of her show, and see what is REALLY going on
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Her first performance is highly influenced by ancient Egypt-Sumeria-Babylon, and Madonna’s costume recalls an ancient Babylonian goddess.
Ishtar with her foot on a roaring lion and wearing a distinctive headdress that resembles the one worn by Madonna. Ishtar is often depicted with wings, a feature that is recalled on Madonna's "carriage".
Ishtar was a powerful and assertive goddess whose areas of control and influence included warfare, love, sexuality, prosperity, fertility and prostitution. She sought the same existence as men, enjoying the glory of battle and seeking sexual experiences. Madonna as Ishtar is therefore quite interesting as one can argue that the pop singer has embodied, throughout her career, the same assertive yet highly sexual qualities of Ishtar, even achieving a state of power in the music industry that is usually reserved to men. On an esoteric level, Ishtar is associated with the planet Venus, known as the Morning Star or the Evening Star – a name also attributed to Lucifer in occult schools.
So in this mythologically-charged setting, Madonna performed Vogue. During the performance, we saw dancers on the covers of Vogue, a magazine that is at the forefront of Illuminati symbolism in the fashion world.
Here's Lady Gaga entering at Jonathan Ross with a one-eye thing-a-ma-jig (felt like using that word) and a blemished ram.
Noami Campbell photo-shoot torturing some guy tattooed with Christian imagery and other symbols.
Model Ana Buljevic just reminding you who she's working for.
This disturbing pic (is this still fashion) portrays the total control of handlers on the slaves. They even hide the slave's distress behind a forced (programmed) smile.
Vogue ends with a symbol that is consistent with the Egyptian-Babylonian theme of the performance. It is also of the highest importance in occult / Secret Societies such as Freemasons, the Rosicrucian's and the Illuminati, the Winged Sun-Disk.
The song ends with the displaying of the symbol of the Winged Sun-Disk.
Murry Hope, Practical Egyptian Magic
The winged sun is still being used today by groups like the Freemasons, the Theosophists and the Rosicrucian's.
Clymer Swinburne, The Rosicrucians Their Teachings
The symbol of the winged-sun inside a Masonic lodge.
The display of this symbol, although apparently trivial and aesthetic, emphasizes on the occult spiritual dimension underlying Madonna’s entire performance.
Madonna closed the Halftime show with one of her biggest hits, Like a Prayer. The video of this song was always controversial due to its mixing of religious themes with sexuality. When the song starts, the show takes on a very solemn and spiritual tone as Madonna and Cee-Lo Green enter to give the final sermon. Religious figures are usually dressed in white to represent purity and godliness. The two singers where dressed in black robes and black robes are usually used in…well, black masses.
As the song begins, a huge eye pupil is displayed, hinting of the Illuminati-influence in this spiritual performance.
Madonna’s Half-Time show also ends in a rather symbolic manner.
At the end of her performance, the floor opens underneath Madonna's feet and she disappears.
As Madonna is swept away in what appears to be the “Underworld”, Madonna sings “I hear you call my name, And it feels like home”. This is another inversion of conventional religious symbolism as “home” should be in the heavens. In Madonna’s case, she obviously didn’t go in that direction.
The show ends with a message no one can disagree with.
The words "World Peace" appear on the stage, a PR-friendly slogan used by those pushing for a New World Order, and one that is lead by a one world government.
When taken individually, the symbols described above can simply be considered as “cool-looking”, and most Superbowl viewers did not pay much attention to them. The packaging of all these signs and symbols in one comprehensive 13 minute performance cannot be dismissed as “random images”. On the contrary, they all point towards a specific underlying agenda, one that is consistent across the entire spectrum of the music industry. Madonna’s embrace of the Illuminati symbolism in this post coincides with her signing with Interscope Records, one of the main purveyors of Illuminati symbolism in the music industry. Her Half-Time show performance can therefore be considered as the “launching” of her three-album and (40 million dollar) relationship with the prominent label. Madonna’s Superbowl performance has shown that, despite the fact that she is an industry icon, she still needs to fit the mold and embrace the same symbolism as that of the rookie pop stars.
Laced with profound imagery, Madonna’s Half-time performance was, in fact, a massive Illuminati ritual, one that was witnessed by billions of viewers. On this Superbowl “Day of Atonement”, Madonna, the High Priestess of the Illuminati industry, entered the Holy of Holies of America delivered a 13 minutes sermon that was heard by all and understood by few.
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Original Source - Madonna’s Superbowl Halftime Show
